The structure method applied in the case of these works, which hold a dialogue with the mobile images, infuses a state of animation in his usual studies and sketches. Surprisingly, these new works include a significant production of videos − a medium that has become an increasingly relevant component of the artist’s proposal. Marina recalls in his text the story of a man who witnessed − from afar − a dramatic accident, and was unable to have any bearing on its outcome precisely because he was “too late, too far.” Lugo decides to make this event the point of departure for his exhibition and follow the museographic thread stringing together works created specifically for this show, which make reference, whether symbolically or literally, to his childhood memories in the sandy Sinaloa territory that gives birth to his native city. It does not store any personal data.“Demasiado tarde, demasiado lejos” (“Too late, too far”) originates in an anecdote drawn from the Spanish philosopher José Antonio Marina’s book, Anatomía del miedo (Anatomy of Fear). The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other.
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